DISCOGRAHY
(A) The "Dreamy" Sessions: Jimmy Jones (arr, cond)
Two unknown flutes, two unknown woodwinds, three unknown trombones with probably Ronnell Bright (p, celeste),
Barry Galbraith (g), Richard Davis or George Duvivier (b), Percy Brice (d), Janet Soyer (harp), unknown string section.
Bell Sound, New York, April 1960
(B) Singles Session: Joe Reisman (arr, cond) Bob Alexander, Bob Byrnes, Dick Hixon (tb), Stan Webb (as, fl),
Ronnell Bright (p, celeste-1, organ-2), John Pizzarelli, Al Chernet, Art Ryerson (g), unknown (b), Ted Sommer (d),
unknown (perc, vbs), string section.
Bell Sound, New York, May 5, 1960
(C) The Vaughan-Williams-Basie-Session: Thad Jones-1, Ernie Wilkins-2 (arr) Sonny Cohn, Thad Jones, Joe Newman,
Snooky Young (tp), Henry Coker, Al Grey, Benny Powell (tb), Marshall Royal (as, cl), Frank Wess (as, ts, fl),
Frank Foster, Billy Mitchell (ts), Charlie Fowlkes (bar, fl), Kirk Stuart (p), Freddie Green (g), Eddie Jones (b),
Sonny Payne (d), Joe Williams-3 (vcl).
Capitol Studios, New York, July 19, 1960
(D) Singles Session: Billy May (arr, cond). Frank Beach, Ray Triscari, Conrad Gozzo, Mannie Klein (tp),
Ed Kusby, Milt Bernhart, Tom Shepard, Lloyd Ulyate (tb), Harry Klee, Wilbur Schwartz, Ted Nash,
Justin Gordon, Chuck Gentry (reeds), Roland Hanna (p), George Van Eps (g), Richard Davis (b), Alvin Stoller (d),
Percy Brice (tamb, bongos), unknown vocal chorus -1.
United Recorders, Los Angeles, October 8, 1960
(E) The "Divine One" Sessions: Jimmy Jones (arr) unknown tp, tb, ts, bar, Jimmy Jones (p), unknown g, b, and d.
Capitol Studio, New York, October 11, 1960
(F) Singles Session: Joe Reisman (arr, cond) unknown string section, reeds, vbs, g, p/celeste, b, d. .
Bell Sound, New York, January 5, 1961
(G) The "Count Basie/Sarah Vaughan" Sessions: Frank Foster -1, Thad Jones -all others (arr) Sonny Cohn,
Thad Jones, Joe Newman, Snooky Young (tp), Henry Coker, Al Grey, Benny Powell (tb), Marshall Royal (as, cl),
Frank Wess (as, ts, fl), Frank Foster, Billy Mitchell (ts), Charlie Fowlkes (bar, b cl, fl), Kirk Stuart (p), Freddie Green (g),
Eddie Jones (b), Sonny Payne (d).
Capitol Studios, New York,, January 10, 1961
(H) Singles Session: Marty Manning (arr, cond) unknown strings, saxes, g, p, b, and d.
New York,, June, 1961
(I) The "After Hours" Session Mundell Lowe (g), George Duvivier (b).
RKO-Pathe Studio, New York, July 18, 1961
(J) The "You're Mine You" Sessions: Quincy Jones (arr,cond) unknown big band.
New York, early January 1962
(K) The "Snowbound" Sessions: Don Costa (arr, cond). unknown string section, woodwinds and rhythm section.
New York, July 23 & 24, 1962
(L) The "Sarah + 2" Sessions Barney Kessel (g), Joe Comfort (b).
United Recorders, Los Angeles, August 7 & 8, 1962
(M) The "Explosive Side Of" Sessions: Benny Carter (arr, cond) Reunald Jones, Al Porcino, Shorty Sherock,
Carmell Jones (tp), Tommy Shepard, Ed Kusby, Lou Blackburn (tb), George Roberts (bass tb),
Red Callender (tuba), Bill Green, Paul Horn (as), Plas Johnson, Buddy Collette (ts), Bill Hood (bari),
Lou Levy (p), Ulysses Livingston (g), Joe Comfort (b), Earl Palmer (d),
Larry Bunker (vbs, marimba, glockenspiel, bongos).
United Recorders, LA, August 13, 1962
(N) The "Star Eyes" Sessions: Marty Manning (arr, cond). unknown string section, woodwinds,
French horns and rhythm section.
Bell Sound, New York, Feb. 13, 1963
(O) The "Sarah Slightly Classical" Sessions: Marty Manning (arr, cond) unknown orchestra.
A & R Studios, New York,,March 11, 1963
(P) The "Sarah Sings Soulfully" Sessions: Gerald Wilson (arr) Carmell Jones (tp), Teddy Edwards (ts),
Ernie Freeman (org), John Collins (g), Al McKibbon (b), Milt Turner (d).
United Recorders, Los Angels, May 29, 1963
(Q) The "Lonely Hours" Sessions: Benny Carter (arr, cond) Vince De Rosa, Dick Perissi, Jack Cave,
Bill Hinshaw (Frh), Red Callender (tuba), Jimmy Rowles (p), Barney Kessel (g), Joe Comfort (b),
Alvin Stoller (d).
United Recorders, Los Angeles, June 12, 1963
(R) The "Sweet 'N' Sassy" sessions" Lalo Schifrin (arr, cond) unknown string section,
French horns and rhythm section.
Universal Studios, Chicago, late June, 1963
(S) Singles Session: Marty Manning (arr, cond) unknown orchestra.
Bell Sound, New York, July 22, 1963
TRACKS:
DISC ONE
Dreamy
01. Dreamy (A)
02. Hands Across The Table (A)
03. The More I See You (A)
04. I’ll Be Seeing You (A)
05. Star Eyes (A)
06. You’ve Changed (A)
07. Trees (A)
08. Why Was I Born (A)
09. My Ideal (A)
10. Crazy He Calls Me (A)
11. Stormy Weather (A)
12. Moon Over Miami (A)
He Divine One
13. Have You Met Miss Jones? (E)
14. Ain’t No Use (E)
15. Every Time I See You (E)
16. You Stepped Out Of A Dream (E)
17. Gloomy Sunday (E)
18. What Do You See In Her? (E)
19. Jump For Joy (E)
20. When Your Lover Has Gone (E)
21. I’m Gonna Laugh You Out Of My Life (E)
22. Wrap Your Troubles In Dreams (E)
23. Somebody Else’s Dream (E)
24. Trouble Is A Man (E)
DISC TWO
The Explosive Side
01. I Believe In You (M)
02. Honeysuckle Rose (M)
03. Moonlight On The Ganges (M)
04. The Lady’s In Love With You (M)
05. After You’ve Gone (M)
06. A Garden In The Rain (M)
07. I Can’t Give You Anything But Love (M)
08. The Trolley Song (M)
09. I’m Gonna Live Till I Die (M)
10. Falling In Love With Love (M)
11. Great Day (M)
12. Nobody Else But Me (M)
13. The Lady’s In Love With You (first version) (M)
Count Basie/Sarah Vaughan
14. Perdido (G)
15. Lover Man (G)
16. I Cried For You (G)
17. Alone (G)
18. There Are Such Things (G)
19. Mean To Me (G)
20. The Gentleman Is A Dope (G)
21. You Go To My Head (G)
22. Until I Met You (G)
23. You Turned The Tables On Me (G)
24. Little Man You’ve Had A Busy Day (G)
DISC THREE
You’re Mine You
01. You’re Mine You (J)
02. The Best Is Yet To Come (J)
03. Witchcraft (J)
04. So Long (J)
05. The Second Time Around (J)
06. I Could Write A Book (J)
07. Maria (J)
08. Baubles, Bangles And Beads (J)
09. Fly Me To The Moon (J)
10. Moonglow (J)
11. Invitation (J)
12. On Green Dolphin Stree