Lucien Goethals

Simply one of the best examples of organic and electronic music interfacing taken from rescued mastertapes spanning 1964 and 1975, here we find Lucien Goethals recomposing transposing and reducing taped recordings of organic instruments such as Cello and Clarinet to make early magnetaphone compositions that defy convention from the heart of the revolutionary IPEM (Institute for psycho-acoustics and electronic music). These melodic explorations into advanced mechanical music provide further likeminded context for the likes of Dariush Dolat Shahi, Delia Derbyshire and Gruppo di Improvvisazione di Nuova Consonanza and beg comparison to Zdenek Liska’s score for Ikarie Xb1.

TRACKS:

• SIDE A
• A1. Difonium
• A2. Cellotape

• SIDE B
• B1. Studie VII B