Antonio Raia

A chuckle or a grimace of memento, a shiver of rage or the same, but due to a steamy game and, most of all, a urge. Let the whole world in, and turn it out into an exploration, a clash of fire with this crooked, wooden, coppery, galvanized sort of dragon.You cannot help but tailoring a path, especially if necessary to ultimately represent yourself, so you can either choose a so called neutral recording studio, in order to dry up and focus every shift, or seize live connections with people, a not-so-aware public capable of supporting the crystallization of that once-in-a-lifetime show.To build Asylum up I’ve gone for the 3rd option: me (and my instrument) and Renato Fiorito along with his 10 mics, aiming to portray 1000 m of mere space.In the very core of Naples, the whole Filangeri Asylum former dining hall played with us, in a harmony of wood and tuff, an everlasting patient background for the shifting valzer of thousands, a living, breathing, sizzling organism, bouncing notes and fragments of past and future lives, but also ticking together with leaving, stopping or passing by folks’ steps.Looking forward to welcome and share freedom with a world in need of it, now more than ever.

PERSONNEL:

• ANTONIO RAIA, tenor saxophone

Recorded September 11th-16th 2017 at l’Asilo, Napoli

TRACKS:

• SIDE A:
• A1. Torna A Surriento
• A2. Refugees
• A3. The Lights Inside Scream
• A4. There Is The Wind Among The Rocks
• A5. Dicentencello Vuje
• A6. The Sound Of Voices Migled With Scraps

• SIDE B:
• B1. Fire On Heart
• B2. Follow The Trail
• B3. Misty
• B4. The Children In The Yard
• B5. To Giulia
• B6. Lullaby